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A Close Look At Taylor Swift And Her Tryst With IPR




Sanya Bhutiani, Institute of Law, Nirma University, Ahmedabad


ABSTRACT:


This article explores the popular entertainer, Taylor Swift and her tryst with Intellectual Property Rights (IPR) in the music industry. It seeks to emphasize the universal importance of protecting creative works. It dissects Swift's strategic moves, including her recent decision to re-record her albums as "Taylor's Version," a response to the resale of her original masters.


The article unfolds the amalgamation of entertainment and media law in Swift's journey, focusing on the intersection of copyright, trademark, and intellectual property protection within the industry. The study explores the various kinds of Intellectual Property Rights available to creators and examines the use of these protections by Swift herself. It highlights her legal battles for creative autonomy and her dynamic approach to IPR. It concludes by advocating for robust IPR to support artists in the ever-evolving technological landscape.

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Indian Journal of Law and Legal Research

Abbreviation: IJLLR

ISSN: 2582-8878

Website: www.ijllr.com

Accessibility: Open Access

License: Creative Commons 4.0

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Licensing: 

 

All research articles published in The Indian Journal of Law and Legal Research are fully open access. i.e. immediately freely available to read, download and share. Articles are published under the terms of a Creative Commons license which permits use, distribution and reproduction in any medium, provided the original work is properly cited.

 

Disclaimer:

The opinions expressed in this publication are those of the authors. They do not purport to reflect the opinions or views of the IJLLR or its members. The designations employed in this publication and the presentation of material therein do not imply the expression of any opinion whatsoever on the part of the IJLLR.

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